This name of Sonum Sumaria’s deliberate film could imply a overall impression of possibilities, but her non-fiction film actually zooms in on an traditional way of life that has become painfully restricted.
The protagonist and his kin – originating from a generations of nomadic herders – raise dromedaries on the plains of Kutch in the western region of India.
Routine activities, making rotis over campfires and tending to their livestock, play out in intimate, relaxed scenes.
Intimately in Connection with the Environment
These routines are deeply in sync with nature, but the landscape has irrevocably changed, endangering their way of life.
Water scarcity persists, offering scarce water for Ahmed’s unwell animals.
Environmental shifts is not the sole reason; in impressionistic wide shots, we see glimpses of windmills and manufacturing sites, business operations that turn the local ecosystem into barren land.
Absence of Support for Desert Pastoralists
Additionally, although laws assign foraging areas for cattle and bison, no equivalent policies are offered for those with herding animals.
Poorly fed, Ahmed’s herd becomes more sick.
In a heartbreaking turn, growing financial burdens and healthcare bills quickly compel him to sell the majority of his livestock.
Critical of Contemporary Business
While questioning today’s economy, Sumaria’s film does not romanticise tradition.
Along with their herding traditions, Ahmed’s clan maintains outdated views of sex-based duties.
A lot of the domestic chores is handled by the female members, such as his girl Hanifa, whilst her brothers are free to play.
Here, girls are not given a proper education; they are supposed to marry early.
Captivating and Understanding Representation
This film might have explored further into these issues, connecting them perhaps to the larger issues regarding the lack of public aid.
Nonetheless, for a feature debut, this is a gripping and sympathetic depiction of a vanishing culture.
